Architecture in Frozen Music
Rapt in Color
by Kevin Grogan • Director, The Morris Museum of Art • Augusta, Georgia
Since its founding, New Orleans has grown as an unusually cosmopolitan place. Its diversity today can be seen in the many distinct neighborhoods from the Riverbend to the Ninth Ward; from Gentilly to the French Quarter—people in exotic combinations, often in exotic costumes, everywhere at all hours; speaking in accents that have marinated together over time and from all corners.
Interview with James Michalopoulos, 2017
Megan Valentine • Curator and Registrar, Alexandria Museum of Art
Despite the fact that he studied painting at the New Orleans Academy and University of New Orleans, James Michalopoulos considers himself a “a self-taught artist who never stopped learning.” His mindset comes through in his work, as he does not treat his subjects with the scholarly pretense of many artists.
Architecture in Art
by William Pittman Andrews • Executive Director, Ogden Museum of Southern Art
The following interview was conducted by William Pittman Andrews, Executive Director of the Ogden Museum of Southern Art, and the artist James Michalopoulos in his Elysian Fields Avenue studio in New Orleans on January 3, 2017.
Artist's Afterword to Michalopoulos (Book) 1997
by John H. Stubbs • Preservationist and Educator
Architecture has been considered ‘Mother of the Arts’ and its reinterpretation in paintings lends itself to different ideas and media which are reflective of their times.
Forward to Michalopoulos (Book) 1997
by James Michalopoulos
I’ve been asked to share some thoughts on my life and work. This is always confronting, as I prefer to approach these questions casually. I do, however, welcome an opportunity like this. It’s an opportunity to self define; to declare myself.
Waltzing the Muse
By W. Dean Pulley, Patron
At the time of this writing we are approaching the year 2000. For a brief portion of that time the United States has struggled to define its place in the art world—taking the Western European tradition that overshadowed our early formation and adding the Eastern, Caribbean, African and Native influences present in our culture today. Fashion and context cycled Romantic, Minimalist, Primitive and Naturalistic movements in and out of favor in various combinations.
Written by Bradley Sumrall, Curator at the Ogden Museum of Southern Art
Certain places in this world are forever tied in the mind of the viewer to the artists that depicted them, as if the spirit of the location is part of the artist, and the spirit of the artist is imbued into the very fabric of the landscape.